Stop Motion Animation

+82) 10-8453-0224

Stop Animation for TV Commercial

About the project

Stop Animations for [ TV Commercial and the Internet advertisement]
mixed media

I professionally learned Stop Animation the stop animation company. And I engaged in the Stop Animation company called Masco 21 as modeller and animator under Hong Jung Kim director and professor of Kaywon university. He was leading advanced skills in this field, inspiring me to participate in this job. Works below are done by Masco 21, and I took responsibilities as modeller and animator. Also, from beginning Director gave me opportunities to discuss how to create projects produced by the company. After graduation, I was able to work as a professional in Masco21’s projects, with managing my company. A variety of materials and the computer programs named “Dragon” and “Premiere” were used to do the work below.

Clay Animation

Clay animation project’s materials were constituted of Ball and Socket Armature made of stainless and copper, clay mixed with oil, artificial eyes made of glass or epoxy, and resin. It was interesting to note that except for clay, almost all are made by me such as epoxy eyes and Ball and Socket Armature. Additionally, Clay animation project’s materials were constituted of Ball, and Socket Armature made of stainless and copper, clay mixed with oil, artificial eyes made of glass or epoxy, and resin. It was interesting to note that except for clay, almost all are made by me such as epoxy eyes and Ball and Socket Armature. Also, we made flexibility or vivid colour of clay by mixing the clay with other coloured clay or wax.

The Special introduction for Films on SBS / 2002

Otugi Tuner / 2007

Koybo Life Insurence / 2003

Cutout Animation

To create 1 second of natural motion animation in cut-out animation, you typically need more than 12 paper drawings or 3-dimensional paper figures. Therefore, preparing a significant number of similar objects is necessary.

Hyundai Card / 2010

Honda 20A / 2010

Object and Model Animation

In object animation, the objects must have a mechanical and untreated appearance. Animation for high-speed scenes requires a significant amount of time. Additionally, it’s crucial to create characters that fit the mood as intended by the producer without being overly exaggerated, in order to capture the audience’s attention.

Hyundai Capital / 2011

Lihom GABBA / 2006

Kinetic animation

In kinetic animation, it’s crucial to express emotions through objects and ensure they perform various intended movements on time.

Sky / 2007

LG company PR / 2007

Reflection

The skills of Stop Motion Animation has been recognised as an obsolete and out-dated method to produce an animation from recent years compare to advanced computer 3D graphic. However, I believe that from this technique we can acquire a sense of humanity through long terms of handwork result and invent better filming skills that have the possibility for development and these truly could make people fascinated by video.

SUBART ™ by Bear Lee. 2006.

105-87-21524

Bear Lee

T. +82) 10-4216-3225

E. subart28@gmail.com

W. https://subart.co.kr/